Editor's Note
by Martin E. Marty

"The end of life" may mean many things, but it means at least two. This issue is devoted to a comprehensive and helpful address to care in the last days when people are terminally ill, and have heard from physicians that the end is near.

That meaning of "the end of life" is not completely disconnected from everyday concern about an end. It is possible to approach this meaning with a measure of good humor. We postpone confrontations with the final reality with lines like these:

    Life is a sexually transmitted disease with a terminal prognosis.

    Blind pianist George Shearing was once asked, "Have you been blind all your life?" He answered: "Not yet."

    Schopenhauer says that we spend the first half of our lives living in such a way that, in effect, we are "writing the script"; then, during the second half of our lives we are interpreting them.
The problem, both the wags and serious calculators say:

    How do we know where the turn from "writing" to "interpretation" should come along? For some, it may be at age eighteen, but the owner of that life will not know that until death is at hand at thirty-six; the forty-five-year-old cannot know she should start interpreting for a countdown that will end at ninety.
Get serious. Which is what we do at the real, imminent, "known" end of life. Yet even there, some people of profound spiritual outlook, moored in a faith tradition, surrounded by family and friends and chaplains who care, can afford a touch of levity, or can provide it.

Thus we hear of an aged mother of four past-middle-age daughters, who were visiting her at the end. The pastor led them in prayers and left the room. The girls kissed their mother, held hands, formed a figurative protective tent of arms over her, and looked down with eyes filled with tears—and love. So her moment for a last word came: "Too much lipstick!"

Anthologies of "Famous Last Words" include corollaries to that kind of talk by people who are conscious that they are engaging in it. Hugo Rahner has written of a certain personality type, God's "grave-merry" person. He or she has taken the measure of the cramping borders of life and, aware of finitude, including imminent death, can still affirm, can utter or signal the "Yes" gracefully, grace-fully.

Even where there have been chuckles and affirmations, however, the end of life represents the greatest challenge of life. One faces what Karl Rahner, Hugo's brother, called "the abyss of mystery." Some who indulge in extreme sports may have "daredeviled" with the risk of death. But when they confront not an abyss between the glaciers they are traversing or the canyon below where they are rock-climbing, but the chasm beyond their last mortal breath, they merit an utterly serious form of care.

My wife and I once flew to China next to an emergency room nurse anesthetist who had retired after thirty-six years in a major city hospital. One of her tales had to do with a Saturday night. The squads brought in a gravely wounded gang leader who had been stabbed repeatedly by rivals. The surgeons wanted to have a try at saving him. He "smarted off" to the nurse as she came near him, even as his breath was waning.

She took a chance: "In a way, the power of life and death in respect to you is in my and the surgeons' hands. Don't you think we've had enough posing? It's time to get serious." He became quiet, and then mumbled, "Do you know the one about the 'green pastures'?" He entered surgery with Psalm 23 in his ears and mind.

What she said and did is a lead-in to "A Special Report," which follows. Edwin R. DuBose and his colleagues have brought together resources for dealing with the late stages of care in hospices, hospitals, special care units, or homes. What I take from the discourse on spirituality is that caregivers have to be expert and empathic listeners before anything else. They cannot be walking encyclopedias of religion or anthologists of "Great Spiritual Quotations." They have no right to intrude on the delicate and frail consciousness of the dying. That means that they cannot come parachuting into the sphere where ministry and caregiving occur with their own answers to life-questions.

Such questions have ordinarily been nurtured, whether casually, intensely, or even in remote pasts—the sort the gang leader must have known in a Sunday School of his youth; and this means that more often than not they have been cultivated in some sort of religious community: a synagogue, a church, around a youth-group campfire, in classes. Some others, however, are spiritual in the do-it-yourself sense, sojourners who have not known such community. Among them are those who may bring resources richer than those cultivated in indifferent and casual religious communities. In every case, they need and deserve the most attentive care. And that care begins with listening.

At the end of Leoš Janácek's opera The Makropulos Affair, the heroine, a most beautiful woman and beautiful singer, "has to die." She is 337 years old, an age reached because she drank an elixir whose formula has now been lost. Everything has happened to her. She is vain, corrupt, bored, and she is indifferent as to whether she lives or dies: it's all the same to her. Then she turns to the others on stage and says that they are "fortunate mortals." Fortunate, because, she sings, "you get to die. Therefore you can celebrate humanity, achievement, and love."

At the end of life those who are involved with spiritual care, as givers and receivers, are celebrating humanity, achievement, and love. This special report elaborates.
Second Opinion #10 Cover © 2002 by Park Ridge Center
Second Opinion #10

Publisher: Park Ridge Center, Chicago
Date: April, 2002.
ISSN: 0890-1570
112 pages.
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